Two young men - boring Mark and aspiring musician Jeremy - share a flat in London. They have not much in common... apart from the unusual talent for putting themselves in embarrassing situation. And when I say embarrassing I don’t mean our every day embarrassing - when they screw up it is always a big time!
Since 1980s the comedy series started to look for new themes, one of which was of course the new generation of... unique young people known as the nerds. The revolution started with computers led to such shows as Dweebs, IT Crowd or lately Silicon Valley and Big Bang Theory. Lab Rats, similiar in concept and atmosphere was showing a different world - the world of scientists working on ground-breaking experiments... Well, working anyway.
British comedy series had sometimes quite strange concepts - Only When I Laugh was taking place pretty much in a single room throughout 4 series, Last of the Summer Wine was about elderly people looking for something interesting to do throughout 20 series, Red Dwarf was taking place after human kind ceased to exist throughout 10 series... Benidorm was another completely surprising idea - group of Britons spend their all inclusive holiday in hotel sitting next to pool or in karaoke bar. How can you stretch such idea to 10 series? Obviously you can...
Simon Nye created quite few sitcoms throughout his career, from great Men Behaving Badly, through unusual Is It Legal? to a lost chance with Hardware. The one thing they all had in common was that... they were completely different. How Do You Want Me? produced in 1998 and 1999 is hardly similar to any other of his sitcoms, but unfortunately in this case it wasnâ€™t a good thing.
Jimmy Perry is most remembered for his work on such hit comedy series as Dad’s Army, It Ain’t Half Hot Mum, You Rang, M’Lord? and Hi-de-Hi! that he wrote together with David Croft, but not many people remember that Perry did tried to make some sitcoms on his own and Room Service was one of them.
There are few themes that are hardly the laughing matter, like someone’s death, illness, being broke or having the personal crisis. Yet comedy series managed to deal with all those themes without actually crossing the boundries. Death? Getting on (British or American version). Illness? Only When I Laugh or Scrubs. Personal crisis? The Fall and Raise of Reginald Perrin for example. Being broke? Oh, this list would be too long - from Steptoe and Son to Married with Children and many more. The Job Lot is another example of trying to make comedy of something that on first glance seem hard to achieve - unemployment.
Miranda Hart is one of those comedians that are easily remembered even if they just show up on the screen. Of course her height helps (she is 6 ft 1in = 1.85 m), but even when she played minor parts in different sitcoms she was easily recognized.
There were several sitcoms that dealt with uneasy or awkward situations - that's the basics of the comedy, but there are some themes that actually never worked in comedy. One of them is definitely a divorce, especially when there are children involved. But John Sullivan decided to take a look at that part of life when he wrote Dear John.
Blackadder as sitcom set a new quality in British television - historical show that made fun of the British past wasn't that original (to recall Dad's Army or The Almost Complete History of Britain), but the level of humour and great characters made it a classic. But just like in The Life of Brian there was another show, who did not made it to the top, although it had all the components to be great - Chelmsford 123.
It’s not often that British sitcom takes the American approach to comedy and is created in same manner as in United States. Even "My Family", created by American Fred Barron, was still close to other British productions. But Not Going Out is a completely different matter.
Comedy Series Blog - we search all the interesting (and sometimes not that interesting) comedy series from around the world. Some of them might be slightly better than the others, but in comedy there are no strict rules - sometimes less funny series, but made with skillful touch could be a hit. On the other hand there are series that try too hard to be funny and lose on the plots and characters building.
The Lone Detective
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You’ve been watching for years, but never realized it